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Textbook-ish but not perfect. Two things would help:
1. raise a little more pre-flop (make it 900 here). It ought to be at least 3xBB or a third to a half of your stack.
2. push the flop. Don't overthink it and don't get cute with a "normal" bet that leaves you some chips or whatever. It's not as powerful psychologically. Also don't insta-push; give it a couple of seconds, let it sink in with him that he has nothing, and then push. If he calls after that, there's nothing you can do; he either has something or he likes to gambool.
One more thought: I believe the stop and go is most effective when you are a legit short stack. If you have 2000 chips with a BB of 300 and everyone else has 4000+, bust out this move. You want two factors to make the move ideal: 1. you're clearly pot-committed and cannot fold after your pre-flop raise, so they won't raise you all in pre-flop on a bluff... more than likely they will just call with a decent hand; and 2. you have fewer chips than everyone, but enough chips to hurt your caller if you win and double through. You should have at least half as many chips as the person you're up against. If he has you covered by fifty million, he won't care about calling the all in.
Personally, I'd just push in this situation. The blinds are well worth stealing and if you get called you're probably in good shape against the majority of hands they would call with. Most importantly, your stack is the right size to put a serious hurt on anyone who called and lost, so swing for the fences and make them put their position in the money in jeopardy by just getting involved with you. I don't stop and go much, and I don't think this situation is perfect for it (especially considering how loose it turned out that your opponent was post-flop). Usually when it's late in an SnG and the blinds are high, my only pre-flop move is all-in. Unless I am the big stack, in which case I deliberately bet just enough to put any potential caller all in. Either way, you get maximum psychological effectivity out of the move.
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